Auditions
Bring your talent and creativity to our award-winning theatre company!
Our auditions are posted on this page when available.
We also forward this information to the Portland Area Theatre Alliance and other local media. We hold auditions for adults and children, depending on the production.
Upcoming Audition Dates:
Audition signups begins approximately 4-6 weeks prior to auditions. Signups for audition notices are posted on our website. You can sign up on our website to receive audition notices as soon as they are announced by clicking HERE.
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INTO THE WOODS JR.
February 22 & 23, 2025
Lakewood Theatre Company will hold open auditions for INTO THE WOODS JR. for actors (ages 9 -18) on February 22 and 23, 2025. Parents and guardians may register their children for auditions online.
AUDITION DATES
Saturday, February 22 and Sunday, February 23, 2025 by appointment. Each actor will have a 5-minute audition slot. Callbacks, if needed, will be held on Tuesday, February 25 from 5:30pm-8:30pm
The directors are casting actors ages 9 – 18. All roles are open, and auditions are encouraged from all ethnicities and experience levels. There are no production or related fees to join the cast.
Location: Lakewood Center for the Arts (368 S. State Street, Lake Oswego, OR 97034).
Into the Woods JR, will be co-directed by Gavin Knox and Jared Lingle, with music direction by Lindy Hatcher
You can sign up to schedule an appointment at the link HERE. If you need assistance with signing up, call 503-635-3901.
AUDITION REQUIREMENT
Please review the schedule and mandatory rehearsals BEFORE securing an audition appointment online. Be sure to list ALL conflicts between February 28th and May 17. Conflicts not listed at the time of the audition may not be honored.
Rehearsal Schedule subject to change
First rehearsal be Friday, February 28th at 5:00pm
The weekly rehearsal schedule will be:
Tuesday 5:00 to 8:00
Thursday 5:00 to 8:00
Friday 5:00 to 8:00
Saturday 2:00 to 6:00
Actors should be available and prepared to be at rehearsal every Friday and Saturday. Actors should also be available Tuesdays and Thursday, but the call schedule for those days will vary.
MANDATORY REHEARSALS
Saturday April 26 – 2:00 to 6:00
Monday April 28 – 5:00 to 8:00
Tuesday April 29 – 5:00 to 8:00
Wednesday April 30 – 5:00 to 8:00
Saturday May 3 – 2:00 to 6:00
Sunday May 4 – 5:00 to 8:00
Monday May 5 – 5:00 to 8:00
Tuesday May 6 – 5:00 to 8:00
Wednesday May 7 – 5:00 to 8:00
Thursday May 8 TBD
NO REHEARSAL Friday May 9
Saturday May 10 Final Dress 9:00am to 12:00pm
PERFORMANCES
Saturday, May 10 2:00 pm & 4:00pm
Saturday, May 17 2:00pm & 4:00pm
Please bring a printed copy of both your resume and headshot (school photos are acceptable as long as they are current and resemble your look as an actor) to your audition appointment. Conflicts not disclosed at the time of the audition may not be honored.
SINGING/ACTING
SONG: Please learn and be ready to sing a selection from the audition page. You can choose which song to present during your audition (make sure to include the song you will perform in your introduction); however, you may be asked to sing a different song as well. Both the vocal guidance track and the instrumental (karaoke) track will be provided. The karaoke track will be used during auditions. Please avoid singing a cappella or performing songs not listed on the audition page.
Actors auditioning for Little Red, Baker, Baker’s Wife, Jack, Witch, Cinderella, Narrator, Wolf, and Princes should prepare “Giants in the Sky” and “Rapunzel’s Melody.” Actors should prepare “Rapunzel’s Melody” in the octave most comfortable for them. All else should prepare “Into the Woods.” Actors may also be asked to do a quick range check during the vocal audition.
TRACKS
Giants In The Sky (accompaniment)
Giants In The Sky (vocal)
Into The Woods (accompaniment)
Into The Woods (vocal)
Rapunzel (reprise)
SCENES: Actors should review the sides for their chosen character. Those auditioning for the Witch must prepare the Witch scene and perform the Witch Rap a cappella. You can choose to read one of the roles from the scenes listed on the audition page. It doesn’t need to be memorized, but you should be as familiar with it as possible. The directors will read the other roles.
SIDES
Jack 1
Jack 2
Jack’s Mother & Witch 1
Jack’s Mother & Witch 2
Jack’s Mother & Witch 3
Mystery Man, Baker, & Baker’s Wife 1
Mystery Man, Baker, & Baker’s Wife 2
Narrator 1
Narrator 2
Princes 1
Princes 2
Red & Wolf 1
Red & Wolf 2
Witch Rap 1
Witch Rap 2
Cinderella, Baker’s Wife 1
Cinderella, Baker’s Wife 2
AUDITION DAY
- Look your best. Bring a Headshot and Resume. School photos are fine as long as the photo is current.
- Arrive early for your audition and check in
- When it’s your turn, please introduce yourself and the song you’d like to sing. We might ask for another song or pose questions to get to know you better. Smile and say thank you!
Lakewood Theatre Company features an intimate 220-seat theatre at Lakewood Center for the Arts, 368 S. State Street in Lake Oswego.
About the Musical
A new take on Stephen Sondheim’s and James Lapine’s groundbreaking musical fairytale about wishes and the choices we make.
Be careful what you wish for, as Stephen Sondheim and James Lapine’s whimsical fairytale comes to life in this adaptation of their groundbreaking, Tony Award-winning musical. Into the Woods JR. features all your favorite characters — Cinderella, Little Red Riding Hood, Jack (and his beanstalk), and the Witch — in this lyrically rich retelling of classic Brothers Grimm tales.
The musical revolves around a baker and his wife, who want to have a child; Cinderella, who dreams of attending the King’s festival; and Jack, who hopes his cow will produce milk. When the baker and his wife discover they cannot have a child due to a witch’s curse, they embark on a journey to break the curse, resulting in their lives being forever changed.
With unforgettable roles and little dancing, Into the Woods JR. showcases a medium-sized ensemble of talented singers and actors. The sophisticated score has been adapted to be more accessible for young performers.
For a breakdown of roles
Narrator
The narrator is the storyteller who speaks directly to the audience. This character helps control the show’s pacing and must always be prepared for their next entrance as they appear and disappear throughout the story. A charismatic girl or boy with excellent diction is required for this significant speaking role with minimal singing.
Gender: any
Vocal range top: D4
Vocal range bottom: Bb3
Jack
Jack is an energetic young man who is always looking for an adventure. Although he begins this show as a simple little boy (his best friend is a cow), he learns a few valuable lessons by the end of the show.
Gender: male
Vocal range top: E5
Vocal range bottom: A3
Jack’s Mother
Raising a son and managing a farm on her own has left Jack’s mother a bit frazzled and definitely overworked. Jack’s mother is a fantastic role for a character actress with strong comic timing and good singing abilities.
Vocal range top: D5
Vocal range bottom: Bb3
Baker
The Baker is a kind-hearted, likable person who believes he can face the Witch’s curse entirely on his own. Initially, this confidence and his desire to have a child drive him, but he soon realizes that he needs his wife’s help to achieve his goal.
Gender: male
Baker’s Wife
The Baker’s Wife is a strong, determined, and loving woman whose desire to have a child drives the action of the whole show. Her storyline helps tie all the characters’ stories together. The role requires excellent singing and acting as well as a good sense of comedic timing.
Vocal range top: E5
Vocal range bottom: A3
Little Red Riding Hood
Little Red starts the show as a loud, bratty, pushy glutton who skillfully manipulates people and situations to get her way. Eventually, she learns valuable lessons and softens around the edges. The actress should have a powerful, loud voice and be a skilled actor. Ideally, the actor should possess a strong sense of musicality, as her songs are often rhythmically challenging.
Gender: female
Vocal range top: Eb5
Vocal range bottom: Bb3
Witch
The Witch is an ancient, mysterious, and manipulative woman who will do anything to regain her beauty and protect Rapunzel. While she may appear old and haggard, she still possesses the strength to control others. This role is ideal for a skilled character actress and singer who can physically and vocally convey the complexities of the part.
Gender: female
Vocal range top: C5
Vocal range bottom: C4
Florinda and Lucinda
Cinderella’s stepsisters are self-absorbed and only care about marrying Cinderella’s prince. Both actors must work well together and can depict their cattiness both boldly and comically.
Gender: female
Vocal range top: G4
Vocal range bottom: C4
Mysterious Man
As the name implies, this is truly a mysterious man. Everything he does is to assist the Baker, yet he refrains from explaining his motives until the last moment. This role is for an engaging character actor who can articulate the Mysterious Man’s often puzzling lines clearly in this non-singing role.
Gender: male
Wolf
The Wolf is a cunning and threatening character, fixated on attacking Little Red Riding Hood. The performer must be an actor and singer who can physically and vocally bring the Wolf to life.
Gender: male
Vocal range top: D5
Vocal range bottom: Bb3
Granny
Granny is a feisty woman who is not afraid to fight the Wolf face-to-face. This non-singing role is perfect for a young performer who can make strong character choices.
Gender: female
StewardThe Steward is Cinderella’s Prince’s servant. He is dependable and willing to do whatever the prince asks. This smaller featured role is perfect for a performer new to the stage.
Gender: male
Milky-White
Milky-White is Jack’s cow. The director is looking for a focused performer with an expressive face.
Gender: any
Cinderella’s Father
Cinderella’s father will not be winning any Father-of-the-Year awards. He shows little concern for his daughter’s well-being or behavior. This non-singing role is perfect for a new performer onstage.
Gender: male
Cinderella’s Prince
Cinderella’s Prince is a self-absorbed man who relentlessly pursues Cinderella and struggles to accept rejection. When he’s not chasing her, he tries to outshine Rapunzel’s Prince. This role requires a strong singer and actor who can express arrogance while still being likable.
Gender: male
Vocal range top: D5
Vocal range bottom: B3
Cinderella’s Mother
Cinderella’s mother comforts her in a brief song. Since she has no dialogue, she is a singer with a strong, pleasant voice for this role.
Gender: female
Vocal range top: D5
Vocal range bottom: D4
Rapunzel’s Prince
Rapunzel’s Prince is the arrogant and prideful brother of Cinderella’s Prince. Sibling rivalry flourishes between the brothers, each convinced that his lady love is the most beautiful. The role demands a talented singer who can express confidence both physically and vocally.
Gender: male
Vocal range top: D5
Vocal range bottom: B3
Cinderella’s Stepmother
Cinderella’s Stepmother is a cruel, wicked woman who only cares for her biological daughters, Florinda and Lucinda. She has just a few singing lines. She conveys both a strong disdain for Cinderella and the affection she bestows on her spoiled daughters.
Gender: female
Cinderella
Cinderella is a humble peasant girl whose greatest desire is to attend the festival. Unfortunately, when her wish is granted, she discovers that wishes can lead to unexpected consequences. Cinderella’s inner beauty consistently shines through her occasionally clumsy and awkward exterior. She must remain charming while keeping a sense of humor.
Gender: female
Vocal range top: G5
Vocal range bottom: A3
Rapunzel
Rapunzel has been trapped in a tower for most of her life. At last, she confronts the Witch in order to escape and experience the world. This role doesn’t require much dialogue but demands an excellent soprano singer.
Gender: female
Vocal range top: F#5
Vocal range bottom: G4
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About Lakewood Theatre Company
72 Years of Live Theatre:
Founded as a not-for-profit organization in 1952, Lakewood Theatre Company is a theatre dedicated to the study and presentation of drama in all its forms; the training and development of actors; and the creation, maintenance, and operation of a theatre in which to present plays and other forms of entertainment. Lakewood Theatre Company is the oldest continually operated, not-for-profit theatre company in the Portland Metropolitan area. It annually provides more than 350 theatre artists the opportunity to learn and display their craft and attracts more than 35,000 people to its shows.
– 72 Season –
Productions in the 2024-25 season are underwritten, in part, by
The Oregon Arts Commission
The National Endowment for the Arts
The Kinsman Foundation
The James F. & Marion L. Miller Foundation
Marilyn & Ron Nutting
Don & Jessie Adams
The Jackson Foundation
The Marie Lamfrom Foundation